Tag: Bell Gardia

There is preparatory work for rebuilding the box of “The Phone of the Wind”. The first is to secure a place and foundation for relocating the current Denwa Box. This was done by volunteers from Mr. Ozawa Block of local Kamaishi. On July 22nd, under the scorching sun, I and I carried the gravel and sand to the Kikki Forest, which is 50 meters away by a cat car, and arranged the blocks into a formwork, which was concreted and used as the foundation.

Secondly, we will be installing a new aluminum box in the place where the “The Phone of the Wind” box is currently located, so we will have to set the actual item aside and do the foundation work. We asked Mr. Matsumura, an NPO Pinocchio Club in Joso City, Ibaraki Prefecture, who had previously repaired the actual product, and sent Mr. Watanabe Carpenter. On July 28, Mr. Watanabe and Mr. Koichi Takimoto, a fellow beekeeper from Hanamaki City, came with his father. (about 80 years old?)

Third, the current foundation that was removed must be widened to fit the new telephone box. It was scheduled for the 29th the next day, but it was canceled due to rain on that day. It was said that Mr. Ozawa Brock was going to see the interval between work, but the next day, on the 30th, the humidity was high after the rain and the heat was extremely hot, so he came at 9:30 in the morning. I made a formwork in advance, put it on the current foundation, laid a mesh (wire mesh), fixed it with anchor bolts, poured concrete, chamfered the corners and finished it carefully. I was told that my fingers couldn’t bend during work, so I think it was just before heat stroke. The temperature on that day was 32 degrees. The next day, I was worried and called, and when I heard from my wife that I went to work well, I was relieved to stroke my chest.

In this way, even if you take one pre-construction work, it is made possible by the cooperation of many people. Information provision, fund-raising cooperation, production cooperation, advance preparation, etc. regarding the new construction of the box of “The Phone of the Wind”. And many people who are worried about what’s going on. With the support of many people, I think that “The Phone of the Wind” will play its role (reproduced from the closeness of Grief).

On August 18th, we will launch a new box of “The Phone of the Wind” from 10 am. After the launch, everyone will have a BBQ party in The Forest of Kikkii. We are looking forward to the participation of many people.

“The Phone of the Wind” Due to the fear of corrosion and collapse, we made a plan to replace the wooden box with aluminum and called for donations. (Including only) was secured as of today. Thank you very much. Thank you from the bottom of my heart.

On June 13th, we and NPO Matsumura visited Akisei Sangyo Co., Ltd. in Chiba Prefecture to discuss the production drawings for “The Phone of the Wind”. At that time, I received a warm word from the president of Akinari Sangyo that I would like to support him as much as possible.

On August 18th, a new “The Phone of the Wind” installation ceremony was held with the representatives and children of the NPO Pinocchio Club, the president and vice president of Akisei Sangyo Co., Ltd., the carpenter Watanabe who was involved in the repair, and everyone who raised money. I would like to do. Information will be announced at a later date.

Prior to them, the foundation of the new telephone booth must be laid at the site of Bell Gardia KUJIRAYAMA. If the date and time are clear, we will contact you again, so we would appreciate it if you could cooperate.

Because it was a wooden telephone booth, the lower part was corroded, and when it was shaken by hand, it was wobbly and there was a concern that it would collapse due to strong winds. Even if we make a new telephone box, we will reinforce it for the time being to prepare for the typhoon. Three of them came to “The Phone of the Wind” in Otsuchi Town at 10 am.

It was supposed to be sunny on May 4th, but it was raining in earnest shortly after arrival, but I did a preliminary inspection in the rain, estimated the necessary materials, and started shopping. I waited for the rain to stop and started repair work after 13:00. I installed new grids and horizontal plates inside and outside the corroded bottom, but the shaking does not stop. Next, I thought about putting up a floorboard, but I hated the possibility of stepping, so I tried to suppress the shaking by bracing, but it didn’t look good and I rejected it. After all, one horizontal plate was attached under the shelf board on which the telephone was placed, and the base and the new horizontal plate at the bottom were fixed with -shaped hardware, so that the shaking was almost stopped. I applied white paint from the point where I installed the new material, so the repair was completed around 16:00, and it regained its former beautiful appearance.

The material cost for this repair was the money collected by the children of the Pinokyo Club through charity donations. On August 17th and 18th, it was decided that Mr. Matsumura would come to “The Phone of the Wind” with his children. How impressed would it be if a new aluminum box of “The Phone of the Wind” could be launched with the children at that time? Dreaming of that scene, I would like to work hard on fund-raising activities. We ask for your continued cooperation.

By the way, the fund-raising activity to rebuild the box of “The Phone of the Wind” made of aluminum is 523,000 yen as of today. The target amount is 1,000,000 yen. It’s a little more.

 

About 30 pieces of information were sent to the media coverage of “The Crisis of the Collapse of ‘The Phone of the Wind'”. Boxes with wooden grids, boxes without aluminum grids, information about where they are, information about wanting to start fundraising, people who actually donated money, let’s take emergency measures so that they will not fall down for the time being I am impressed by the feelings of everyone, such as NPOs that bring carpenters from Ibaraki prefecture, to the “The Phone of the Wind”.

We apologize for the inconvenience caused by the preparations for “The Phone of the Wind” Music Festival Live & Talk for the past month or so, and the lack of support with everyone who provided the information. The music festival is over, and I’m thinking about what to do with the telephone booth.

For me, I’m worried that the wooden box will corrode in 3 to 4 years from the installation environment and repeat the same noise. Also, aluminum boxes do not have to worry about that, but since the box with a grid currently in use has become established overseas as a “The Phone of the Wind”, I would like to inherit the current style. If you want to make a new one, you will need a little less than 1 million yen. (Estimated from Toa Telecommunications Industry)

After the music festival live & talk, it will be sold by the poet Sato to use it as a fund for rebuilding the telephone box. I received. In addition to this, the book “The Phone of the Wind”, which wrote my lecture “From The Phone of the Wind to Kenji Miyazawa”, and the wind phone CD that was sung by all the participants at the end of the music festival, including fundraising. It will be sold at 10,000 yen /set.

Limited 25 sets

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Transfer destination: Japan Post Bank
Ordinary deposit Store name: 838
Store number: 838
Account number: 1938776
Name: Bergadia Kujirayama Sasaki

*Please apply by phone. After confirming the transfer to the above account, we will send the item by letter pack.

Phone: 0193-44-2544 (Itaru Sasaki)

The 1st “The Phone of the Wind” Music Festival Live & Talk was held on April 29th and 30th. Both days were blessed with good weather, and I was able to spend a rich day while bathing in the sunlight leaking through the leaves. We would like to express our sincere gratitude to everyone involved.

This music festival was planned as a music festival “in the disaster area”, “by the victims”, and “for the victims”. It is a handmade music festival that was realized with the cooperation of the performers, with the three people in the disaster area (Sasaki, Okubo, and Dai) forming an executive committee and planning it. What all three of us have in common is that we don’t have money. Therefore, I asked all the performers if it was okay without transportation, accommodation, and performance fees.

We believe that the “reconstruction of the heart” that we are aiming for is to regain the motivation that each and every one of the disaster-stricken areas had before the earthquake, even if it was small, with dreams and hopes for the future. The disaster area is now seeking a “bright future image.” A “bright future image” begins with dreaming. It takes a driving force to envision what it should be. Culture and art, including music, have the power to create dreams. I believe that what culture and art should do is to deliver dreams.

Kenji Miyazawa, who was born from the climate of Iwate, must be bright and enjoyable, not just the painful labor of farmers suffering from repeated cold and drought damage. And did music and theater activities. Seven years have passed since the disaster, but many people still have a hard time with the sadness of loss. It exactly coincides with Kenji’s time. I would like to convey the importance of being close to, sharing, and supporting the sadness of those who are suffering with everyone who participated in this music festival.

This time, there were participants from Wakayama, Osaka, and Aichi prefectures in the distance. In addition, all the performers who understand the appearance with the lunch box will be disappointed. Michiko Sato, a poet from Osaka, Sachiko Hotta, a chanson singer from Nagoya, jazz rushed from Miyagi, Hiroyuki Kanazaki, a chanson pianist, Takahiro Tatsumi, a jazz trumpeter from Tokyo, and Reiyoshi Sunagawa, a jazz pianist. And the local Omaki musician NORISHIGE, the kids choir Agudo Mame, the children’s violin classroom El Systema, the brass band Otaki Wind Orchestra, the group Cosmis from Kamaishi, the Black Camalins, and the Japanese musical instrument player. Masato Okubo Thank you very much and thank you for your hard work.

After all the performers were finished, the party with participants and performers was even more exciting. The artists promised each other a session, and they were asked to perform in other areas, when they would do it next time, and so on.

The second day was a lecture by myself and Michiko Sato. The content of my lecture was “From The Phone of the Wind to Kenji Miyazawa”. “The Phone of the Wind” is a phone that conveys your feelings to people who can no longer meet. It is a world of sensibility and imagination, and by nurturing them, anyone can regain the stability of their mind from the state of despair. And everyone can understand that they are necessary for living. Also, the Mori Library is not just a place to read books, but a place to read and play books, and to encourage people to learn by themselves while playing. You will develop your sensibility, see what you cannot see, listen to what you cannot hear, and begin to think about things from various angles, and you will be able to understand the essence of things. The connection with Kenji Miyazawa is that all human beings are a part of nature and live as human beings from nature, and we must coexist with nature such as how to interact with animals and plants and how to preserve agricultural products. We in the disaster area are now able to live with the help of many people. We are responsible for those who have died unfortunately and how we must live for the children who will be born. Kenji Miyazawa’s “altruistic spirit” is one of the guideposts, and he said that he must aim for a way of life that is useful for others and that if there is a person who is suffering, he will reach out.

In addition, Michiko Sato’s poetry is based on the poetry of “Stone from Heaven” with the theme of the Great East Japan Earthquake, and a poem of 5 to 5 meters is exhibited at the venue. He talked about the thoughts and background of the time. One of Sato’s works, “From the wound”, is from being hurt / noticing / building from being noticed / forming a bond in the process of building / from the tearing of the wound / new self is born / life is gradually / Standing up … was being shown. Mr. Sato and I have different ways of expressing, but we both have the same sensibility and appealed that we must develop that sensibility.

The two-day participants counted more than 300 people, including those coming and going, and were able to gain the sympathy of more than expected people. We would like to thank the performers, participants, the volunteers of the Shumeikai who helped us, and the Kenji Miyazawa Study Group. In addition, the Christmas rose seedlings provided by the Kamagaya Flower Gifting Association in Chiba Prefecture are sold at a bargain price, and the total of 40,000 yen in sales and on-site donations is the activity fund for creating a music hall in the mallet and the mallet Miyazawa. We will use it in half as a fund for the construction of the poetry monument of the Kenji Study Group. We would like to thank you again for holding a meaningful and fun music festival live and talk with your cooperation. Thank you.